Background. During the Anschluss of 1938, Nazi Germany overthrew the government of Austria. Following, the Austrian and German Nazis looted Jewish possessions: art, jewelry, furs, and silver, anything of value.
Synopsis. This film is liberally based on actuality. Maria Altmann (Helen Mirren), an elderly Jewish refugee from Nazi Austria, attempts to recover four valuable paintings by the now world-famous artist Gustav Klimt that Nazi thugs looted from her family. In particular she wants the painting titled “The Woman in Gold,” a portrait of, Adele Bloch-Baurer I, her aunt. After the War, the paintings were on display in the Austrian State Gallery. Over the ensuing years, “The Woman in Gold” became Austria’s equivalent of France’s “Mona Lisa.”
In 1999 Altmann, the now American citizen, employs the attorney E. Randol Schoenberg (Ryan Reynolds) to plead her case against the implacable Austrian Government. Her motivation is to publicize the Nazi’s unmitigated genocide and illicit art theft and to seek some matter of justice and restitution. Eventually, Schoenberg, through extended, legal machinations, wins his case through an arbitration panel that declares that the paintings the property of Altmann. She returns the four paintings to the United States and they are now on display at the Neue Galerie in New York City.
Critique. On the whole, I enjoyed this film. On a scale of one to five, I place it at four. It engendered intense empathy in me as it stimulated my recalled these events from World War II. Helen Mirren is exceptional as Helen Mirren plays Maria Altmann. Ryan Reynolds does a yeoman job as E. Randol Schoenberg—thought he’s bit stoic at times. The miss en scène is skillfully portrayed with excellent cinematography, background locations, costumes, props, etc. Directing, and editing are first-rate. And, as noted art direction is superb.
Several plot points piqued my interest.
- During the Austrian Nazi government regime, Maria Altmann and her husband board an aeroplane in Vienna bound for Cologne—in the heart of Nazi Germany. Next, she is in the United States without her husband. There is a large hole in this scenario. What happened to her husband? And how did they (she) escape from Nazi Germany?
- The transitions from present day to 1938 are exceptionally well executed. However, after a time they became timeworn.
- I must admit that I was somewhat annoyed that the Schӧnebrunn Palace was shown several times as some other building and not always the same building. I reckon that’s artistic prerogative.